Olympic tower |
Monday, 30 July 2012
Sunday, 29 July 2012
Ladies bike race
The ladies bike race field rounding the bend at Brompton Cross |
Saturday, 28 July 2012
bikes and parallel bars
Men's Olympic road race field coming round the bend at Brompton Cross |
Men's gymnastics day at 02, north Greenwich |
Friday, 27 July 2012
Your Olympic correspondent
Warrington Bank Quay |
Wigan |
Your correspondent's notebook and Kindle |
Preston station |
Thursday, 26 July 2012
Green view
Green view |
Wednesday, 25 July 2012
The reading ram
Thursday, 19 July 2012
Hay Fever
Yesterday it rained all day, but now the sun is out. |
Wednesday, 18 July 2012
Things to do on a wet day
Rain-soaked atrium with scientific rain measurer (red plastic beaker) |
'so and so met so and so' 'he said to her' 'she said to him' and 'the consequence was' and 'the world said...'. And 'I Spy'. Do other cultures have versions of these games, I wonder? Before falling back on watching the recording of 'Despicable Me' for the tenth time.
Sunday, 15 July 2012
The Enigma of Arrival (2)
'The Enigma of Arrival' by Giorgio di Chirico The title of the painting by Giorgio di Chirico, 'The Enigma of Arrival' was chosen not by the painter but by the French poet Apollinaire. I once followed the path of Apollinaire to northern France, to the Western Front battlefield where he received the head wound that led to his eventual death a few years later. I was following a trail that started with a quest for the origins of the UK Forestry Commission on those same battlefields. There was a shortage of wood for the trenches that threatened the Allied war effort. Unbelievably - well, perhaps only too believably - , French forest owners charged the British army a premium to cut down the trees needed to shore up the miles of tunnels and trenches, latrines and field stations that dotted the landscape. The man charged with securing the timber was Simon 'Shimi' (Lord) Lovat, who knew most of the landowners from his pre-war forays to the gambling tables of Biarritz.It was the young firm of MacAlpine brothers that got the contract to build the wooden sheds for the British army at Etaples in Normandy, site it is now thought of the 'vector' between pigs, poultry and men that caused the virus known as the 'Spanish flu' that killed more young men worldwide than the war itself. Apollinaire was much loved, unusually for a genius. |
Friday, 13 July 2012
The Enigma of Arrival
I don't re-read books very often, but I'm re-reading 'The Enigma of Arrival' by V S Naipaul. There is a mysterious incantatory quality to it. He is writing ostensibly about a place in Wiltshire, never drawing a crude lesson but somehow making universal sense. This book and his 'Among the Believers' explains why he is a Nobel laureate and other descriptive writers aren't. Gold to Naipaul in the rural rides event of the cultural Olympics
Thursday, 12 July 2012
The Green Road into the Trees
Here in our Roman holiday villa near Dirleton I am reading a v enjoyable new book by Hugh Thomson 'The Green Road into the Trees'. I recommend it unreservedly because it is well-written, full of personal observations and opinions (not all that I agree with, but that doesn't matter, in fact it makes it all the more interesting), a 'state of England' book. The author decides immediately on his return from another journey to walk from Abbotsbury in Dorset along the Icknield way, an ancient track leading northeast to the Norfolk coast. Along the way he meets new people, dances with hippies, stays with old friends and remembers dead ones, reminisces about his own life and the history of the land he is walking through. This is a book with an informed point of view; it is a love letter worth all the more because its author has travelled widely and has perspective. A vignette towards the end encapsulates the tone: Thomson sips some coca tea (that's coca not cocoa) musing on the astonishing Bronze Age finds being made at Flag Fen, on the beauty of England and the robust kindness of its people, its pubs and hidden corners . Come to Scotland Hugh and do the same for us.
Wednesday, 11 July 2012
North Berwick
Mason's mark, North Berwick steading, carved on stone set on corner of ochre- coloured wall, as in Pompeii. |
Thursday, 5 July 2012
Dept of weird coincidences and medicinal plants
Here at the department of Weird Coincidences, I can report the following: my battery-powered watch stopped at exactly midnight over last weekend Sat June 30th/Sun July 1st. When I woke up, I looked at the face, and stared at it for some time before realising why there only appeared to be one hand on the dial where once there had been two. I took the watch in to the jewellers here in Moffat for a new battery the other morning, left it in the shop and went off to the greengrocer and the newsagent. I came back into the shop, the watch was ready so I paid for the new battery and put the watch on. 'Hold on', I said, seeing that the hands were still both on the 12... 'It's exactly midday' said the assistant. Spooky or what?
I do not want to disappoint my fellow Trustees at Moffat Book Events, so here is an item about rhubarb, just as you predicted:
It’s the ‘love it or loathe
it’ staple of the British diet in the form of tarts, crumbles and fools; what actors in crowd scenes say to each other,
and the protagonist of a popular children’s animated film and book series: rhubarb shelters an unexpected wealth of Scottish-Russian cultural history. This medicinal herb was introduced from
Russia to our shores by Dr James Mounsey, born at Skipmire, Dumfriesshire in
1710. Mounsey was one of a series of Scottish doctors who served the Russian
Tsars for a period of 150 years 1704-1854
as their personal or court physicians. After a very eventful career,
Mounsey retired to Rammerscales , a fine mansion he had built himself near Lochmaben,
D&G.
I do not want to disappoint my fellow Trustees at Moffat Book Events, so here is an item about rhubarb, just as you predicted:
See within for more about rhubarb and other Russian stuff |
The House that rhubarb built |
Monday, 2 July 2012
My Mantelpiece
There is a BBCR4 call to us to describe what is on our mantelpiece. This is a nod to Mass Observation, the organisation that had the foresight over 70 years ago to invite members to describe theirs in the name of future generations of social historians.
Here is what is on mine, from left to right: orange pig made from a quarter litre milk bottle, bought from my friend Anthea's shop in Notting Hill some years ago; behind the orange pig is an Easter card from my daughter Abi's mother in law Pauline who is gravely ill - the card only arrived by hand a couple of weeks ago and I keep it there to remember her; glass bottle with spills in an aromatic liquid labelled French Lavender; postcard from Scottish artist Duncan Macaskill 'A Man's A Man For A' that, a portrait of the artist's father Neil MacDougall MacAskill; postcard 'Meleze' coloured drawing by John Ruskin of a member of the Pine family sent by my sister when she was staying at Brantwood Ruskin's house in Coniston; Summer 2012 invitation to the Kilmorack Gallery near Beauly Invernesshire - cover painting 'Sea Island Line' by Lizzie Rose, sometime artist in residence at Crookedstane Rig; invitation to Evensong at The Tower of London in September 2012 organised by the Friends of the Anglican Centre in Rome; invitation to a fundraising concert for the Prisoners Education Trust; invitation to tea from the Provost of University College London; small glass container, probably an old Glu chocolate pudding pot, containing a quantity of coloured marbles; small Russian wooden doll from a nesting set; invitation to new works exhibition by Moffat resident Gill Shreeve at The Dancing Light gallery - illustration 'Moments on a Mountain'; postcard of Fiesole from an Australian professor of economics; postcard of The Level Crossing by L.S. Lowry from my cousin John, the model railway fanatic (and inventor with others of the Spey Rolls Royce aero engine) propped up against a yellow milk bottle pig, stable companion to orange pig see above; postcard from Storm Studio in Moffat; raffle tickets for Wigtown Festival Company (to be drawn on Sunday 7th October 2012); good luck Red Poppies card from friends Robert and artist Lesley Maddock on the occasion of the opening of The Moffat Gallery. Atop the early 19th century gilt overmantel looking glass is a smiley pink pig whose head nods if you touch it. Draped over the far right hand corner is a mobile phone charger, a Blackberry which I hope soon to trade in for an iPhone.
What is on your mantelpiece is supposed to be a glimpse into your soul. This glimpse into mine bears this out: any one considering these items could easily work out that I am a Christian who supports many charities, I was educated at UCL, am greatly attached to my family and many old friends, whose interests strongly include the visual arts and that I have a streak of attraction to ephemera, objects that raise a smile, demonstrate playful invention. I also love scent and once lived in an early 19th century house (hence the overmantel). And there's definitely something going on about pigs.
Here is what is on mine, from left to right: orange pig made from a quarter litre milk bottle, bought from my friend Anthea's shop in Notting Hill some years ago; behind the orange pig is an Easter card from my daughter Abi's mother in law Pauline who is gravely ill - the card only arrived by hand a couple of weeks ago and I keep it there to remember her; glass bottle with spills in an aromatic liquid labelled French Lavender; postcard from Scottish artist Duncan Macaskill 'A Man's A Man For A' that, a portrait of the artist's father Neil MacDougall MacAskill; postcard 'Meleze' coloured drawing by John Ruskin of a member of the Pine family sent by my sister when she was staying at Brantwood Ruskin's house in Coniston; Summer 2012 invitation to the Kilmorack Gallery near Beauly Invernesshire - cover painting 'Sea Island Line' by Lizzie Rose, sometime artist in residence at Crookedstane Rig; invitation to Evensong at The Tower of London in September 2012 organised by the Friends of the Anglican Centre in Rome; invitation to a fundraising concert for the Prisoners Education Trust; invitation to tea from the Provost of University College London; small glass container, probably an old Glu chocolate pudding pot, containing a quantity of coloured marbles; small Russian wooden doll from a nesting set; invitation to new works exhibition by Moffat resident Gill Shreeve at The Dancing Light gallery - illustration 'Moments on a Mountain'; postcard of Fiesole from an Australian professor of economics; postcard of The Level Crossing by L.S. Lowry from my cousin John, the model railway fanatic (and inventor with others of the Spey Rolls Royce aero engine) propped up against a yellow milk bottle pig, stable companion to orange pig see above; postcard from Storm Studio in Moffat; raffle tickets for Wigtown Festival Company (to be drawn on Sunday 7th October 2012); good luck Red Poppies card from friends Robert and artist Lesley Maddock on the occasion of the opening of The Moffat Gallery. Atop the early 19th century gilt overmantel looking glass is a smiley pink pig whose head nods if you touch it. Draped over the far right hand corner is a mobile phone charger, a Blackberry which I hope soon to trade in for an iPhone.
What is on your mantelpiece is supposed to be a glimpse into your soul. This glimpse into mine bears this out: any one considering these items could easily work out that I am a Christian who supports many charities, I was educated at UCL, am greatly attached to my family and many old friends, whose interests strongly include the visual arts and that I have a streak of attraction to ephemera, objects that raise a smile, demonstrate playful invention. I also love scent and once lived in an early 19th century house (hence the overmantel). And there's definitely something going on about pigs.
Something sensational
I spent a lot of time on trains over the weekend, so took plenty to read* - on my Kindle. I particularly enjoyed two essays in the latest issue of Granta. One, by Gary Younge is on the - on the face of it - unprepossessing subject of growing up in Stevenage. Younge manages to turn this into a terse, unsentimental 'page-turner' of far greater fascination than many more ostensibly exotic and exciting subjects. Younge does not shout or strike attitudes, but his story is - unusually in this Granta collection - a quietly devastating firsthand account of the collapse of a society. Stevenage should be proud of him. Another is 'Silt' by Robert Macfarlane, a masterly, marvellous piece of writing about a dangerous and beautiful walk called the Broomway across the Maplin Sands. Taken together, these two authors remind us that setting out with a plan is sometimes not enough; we can only see so far ahead, and survival can depend on chance.
*the title of this blog alludes to Oscar Wilde's quip that he always took his diary on a train journey in order to have something sensational to read.
*the title of this blog alludes to Oscar Wilde's quip that he always took his diary on a train journey in order to have something sensational to read.
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